Showing posts with label SDP006 Sketchbook. Show all posts
Showing posts with label SDP006 Sketchbook. Show all posts

Wednesday, May 2, 2012

Film Assignment: Crouching Figure


 The day we've all been waiting for! Film assignments! I did get one of the films that I was initially the most excited about, Francis Bacon's Crouching Figure! I'm incredibly exciting to begin work on this piece! I'll also be assisting Charlie on Dolly, another piece I was majorly looking forward to. Very happy all around!


In my initial meeting with the Crouching Figure team I was given my first copy of the script and spoke with the creative team about what they were expecting. At this point it's pretty straight forward, we're looking to create a very iconic Ringleader, red jacket, white trousers, tall boots, top hat and mustache. The things we're looking for the most at this point are very stark and crisp lines to set the Ringleader apart from his very dingy and broken down environment and create a contrast that  adds to the surreal nature of the film.

Painting for Inspiration: Film Pitches


Pitch #2 Francis Bacon's Crouching Figure
Man struggling to escape from confines of dark paranoid mind and back into reality, lost in his own nightmare, POV style filming (similar to: Enter the Void) Characters: Circus Ringleader- nightmarish, Ringleader is the window for audience opinion. Very crisp. Stands out amongst the grunge and grime. Ringleader is representation of the ego. 

Pitch #4 Portrait of Dolly
10 year old girl develops sexual desire for Mum's lover after catching them in the act. In a fit of jealousy applies make-up in an attempt to seduce her mother's lover
Opens with Mum getting ready, Dolly playing with her hat, man arrives, attractive and well dressed, he has brought flowers for Dolly's mother but gives one to Dolly, man and mother retire to the bedroom and shut Dolly out, Dolly waits outside and listens and finally peeks in ("The Idol") Dolly runs to her mother bedroom and carefully applies imitation of her mothers make-up, rushes and waits outside of her mother's door expectantly, the man sees her is surprised and walks away. Flesh tones, pale tones, Darker more passionate lighting in love-making room, bright much more natural lighting everywhere else.  "Pretty Baby", "Jessie at 5, 1987" Sally Mann, Setting it 1910- really address the time period, on location or in studio- it could go either way, Jodi Foster in Taxi Driver.

Pitch #6- Bridge at Courbevoie
An estranged father and daughter forced to spend time together when their car breaks down on their way to drop her off at the train station. Daughter is the dominant personality, calls for the tow, etc. Father stands to lose his daughter again, they wander the shoreline, this forced time together is his last chance. Third character? Artist, the catalyst. Asks to paint/photograph the two of them, they are reluctant but agree and pose for the artist forced to portray the happy father/daughter relationship they both wish they had. Daughter leaves for the train station with the artist.

Pitch #11- The Situation Group
1960's, 12 abstract artists sitting for a portrait, improvised conversation. Studio shoot. 

Pitch #12- Composition with Red, Yellow, and Blue
Parallel between freeform and constructed art. Jorgen Lest- Perfect Human pt.1, Experimental freeform jazz music in the background. Sparse white space, all black suits head to toe with their faces covered, one in red, one in yellow, one in blue.

Pitch #13- Girl with a Dove
Takes place in a Victorian aviary, two children are playing bouncing a ball back and forth, the boy throws the ball and it hits a birds cage and knocks it over, killing the dove inside. The aviary caretaker comes over and sets the cage upright while the girl picks up the dove and when she looks back her brothers clothes are piled on the floor and there is a new dove in the cage. Currently looking at the Russell Cotes and The Collective as locations. Very Victorian Gothic, Colleen Atwood.

Pitch #14- The Memorial of Kaiser Friedrich
Funeral in the woods, Old world folktales. Young woman asks her mother about a story, mother tells her a story of a strange young woman who heard music in the woods and attempted to find it's source, she asks the villagers to help her but they all say no and pass her by, she disappears and dies in the wood. Portrait is of her funeral. 30 or so people.

Courtauld Gallery Visit!

We began our Painting for Inspiration unit with our visit to the Courtauld Gallery in London, the Courtauld Gallery is the one that the film students will be choosing from for our films. Having never heard of the Courtauld Gallery I wasn't exactly sure what to expect and my god was I blown away when I got in there. It was incredible! In every room their was a painting I recognized or a new one to fall in love with. I had no idea such famous iconic works of art were tucked away in London! This visit has definitely gotten me even more excited about this project, I cannot wait to see what the film students have chosen. I scrawled the names of all of the paintings that stood out to me as I walked through and figured here was as good a place as any to share them!

Young Woman Powdering Herself by Georges Seurat
Jane Avril at the Entrance to the Moulin Rouge by Toulouse Lautrec

Lady with a Parasol by Degas
Portrait of a Woman by Morisot
The Bar at the Follies Berger by Manet
Woman at a Window by Degas

La Loge by Renoir
Cupid and Psyche by Sir Joshua Reynolds
Reclining Nude by Vlaminck
Woman in an Interior by Bonnard
Woman Tying her Shoes by Renoir

Tuesday, April 24, 2012

SDP Painting for Inspiration: Painting Consideration

After my visit to the National Gallery when I returned to London, I had several paintings for consideration for my styling project. I'm sure I'm even forgetting some, there were just too many incredible works of art to chose from.

My first choice would have to be Aprés la Faute (After the Misdeed) by John Béraud, I absolutely fell in love with this painting, I adore the way the rick colours are used and how they so strongly convey the emotion of the portrait. Also, I love 19th century painting, so that doesn't hurt!
Aprés la Faute (After the Misdeed) by John Béraud
A close second would have to be Gertrude Elizabeth (Blood) by Lady Collin Campbell, again it's another 19th century portrait and I am in love with it!
Gertrude Elizabeth (Blood) by Lady Collin Campbell


More options:
The Two Friends by Tolouse Lautrec

Lady Jane Grey by Delaroche

Head of a Woman by Degas

Salome by Cesare da Sesto